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In the middle of this conquest, a race of extra-terrestrial aliens crash lands in the desert and begins wiping out every human in their path, white or Indian. White settlers are purging the land of Indian tribes and claiming the territories as their own.
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In the year 1874, Westward Expansion is in full effect in the state of Arizona. The book seems orientated towards young teens, but I'd hardly recommend it.more Like, in America Indian is an accepted term by most 'Indians', but in Canada the term Indian is a bit racists even though in the law books we have to use the term Indian because that's how they're legally represented.) play the good guys, and even though the White people have hurt them, they play the 'bigger person' (as a father to a gradeschooler would say) and help the White people out. Especially when the aboriginal (is that what you call them? They must be the only ethnic group that has a thousand different terms and not one of them are correct, and many are apparently racist, but only in certain areas. I despised 'the White people hurt the Indians' and 'aliens hurt the White people' parallel.
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The book was horrible, and what I saw of the movie was just as bad. I think only because they have a hard-on for Mr.Indiana Bladerunner Solo, and the idea of him playing a cowboy is pretty cool. Especially when the aboriginal (is that what you call them? They must be the only ethnic group that has a thousand different terms and not one of th I read this because a lot of my friends were hyping up the movie. I read this because a lot of my friends were hyping up the movie. Quick! Someone make a comic about aliens and cowboys so I can turn it into a movie." Geez. I imagine SMR is the "creator" because he said one day, "People like aliens.and cowboys.and movies made from comics. After reading this, not only am I completely turned off by Rosenberg and Platinum Studios, but it suddenly becomes clear how this graphic novel came into being-it's one of those soulless, Hollywood constructs. The writers and artists each get the usual three-sentence treatment, but the "creator," Scott Mitchell Rosenberg, has most of a page about him, and it's the most pompous, wind-bagged thing I've ever read, going on about how his comics company has the "business model of the future, where properties are developed simultaneously for multiple distribution models, maximizing profitability, visibility, and availability." I kid you not. It seemed borderline offensive.Īll of this leads me to wonder how this abomination came to be, but the answer is found in the creators' biographies, in the back of the book. This isn't so bad for the cowboys, but it bothered me when it came to the Native Americans. Every character is completely stereotypical. The book wants to make an analogy between the aliens' attack and the Europeans' move westward, but it does it so un-subtly that it's grating.Ħ. But in terms of the characters, there are also serious problems:ĥ. I disliked this book so much that I'm tempted to dig through and find all of the other ridiculous things, but I think that's enough. This is where it crosses the border into madness, since this sort of drives the whole plot. The aliens need to attack the town to put their radar dish at a high point, despite the fact that it repeatedly shows that the town is surrounded by hills and buttes. You know, from all of those active volcanoes in the middle of the U.S.Ĥ.
When they invariably go to an abandoned mine, it's full of lava.
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The 1870s blacksmith takes one look at the alien's flying carts and immediately figures out how they work-and how to make his own version! Amazing!ģ. The first alien device the protagonist comes across looks exactly like a gun, and he immediately figures out how to use it. I can overlook the usual sci-fi silliness like translators and such, but things just get so stupid that you can't overlook them:ġ. It has mediocre art and completely nonsensical plotting as if it were written by a five-year-old. The 1870s blacksmith takes one look I don't say this often, but besides it's premise (title), this book literally has nothing to offer. I can overlook the usual sci-fi silliness like translators and such, but things just get so stupid that you can't overlook them: 1. I don't say this often, but besides it's premise (title), this book literally has nothing to offer.